Showing posts with label Art on products. Show all posts
Showing posts with label Art on products. Show all posts

Friday, September 8, 2017

Ronnie Walter Talks About Making Money with Art Licensing and MORE!


Hey Ronnie! I consider you my go to person for all things art licensing. Would you take a minute and give us a little background on you for our readers?
Of course—I’m a licensed artist, writer, and also an art business coach and teacher. After getting my BFA I worked a variety of jobs in my quest - I worked in the ad department at a major retailer, sold color separations back when there was such a thing, became a staff illustrator and then Art Director at a stationery company, and then finally went out on my own as a freelance illustrator twenty-some years ago. In 2000, I formed Two town Studios with my husband Jim Marcotte, and we worked as licensing agents for a number of artists and properties for the next 16 years. I’ve licensed my art on all kinds of products including fabric, giftware, home goods, stationery, greeting cards and more. I am the creator and illustrator of the 17 Coloring CafĂ© coloring books, and have self- published and traditionally published a number of both fiction and non-fiction books including License to Draw. I tend to keep busy!


I like to think that my art led to writing, my writing led to coaching, and my coaching has now led me to teaching! It goes to show you that if you keep moving forward, our creative careers are ever-evolving and endlessly interesting! But as much as I love all of it, my first love has always been drawing, and coming up with interesting concepts to help people say the things they might not be able to say on their own—and that will never change!

I hear that you have a new service you are offering? Tell us a bit about it.
A few things are happening simultaneously around here!

I launched the first in my series of classes on Skillshare.com. How to Make Money with Art Licensing  is live now and is designed for artists to understand the basic details of the business—everything you need to find out if this is the best way to monetize your art, and how to get started doing it. It's an easy format, and it will only take you a little over an hour to go through the videos. An hour chock full of information!


I am also launching a live, multi-week class called The Licensing Ladder. It’s a more intensive class, positioned for artists that feel confidence in their art and portfolios (for the most part; I totally understand how a portfolio moves and changes as we do), but who are hesitating—or are flat out chickening out—and not getting their art in front of the clients who can license it. It's also for artists who may have had some traction, but feel like they are not hitting the right product categories or right potential clients.

I was not a natural salesperson, but once I decided that licensing was the right method to make money freelancing with my art I had to devise systems that got me in front of decision makers. I also needed a system to keep me confident so I wouldn’t panic each time I was ready to contact a new client. Participants in The Licensing Ladder will learn these systems—ways to identify your right clients, and then communicate with them in a manner that feels comfortable and not all “salesy”. (NOTE: Check with Ronnie on dates for The Licensing Ladder - Hurricane Irma has postponed it)


And there one more project I'm excited about. Over the past year or so I have been working on a planner specifically designed with people like us in mind. It’s called the Next! Planner for the Creative and Active Mind. I’ve gone through a beta testing period with a group of artists and creatives, and right now I’m putting the finishing touches on the publication copy. I also use it personally and love it - it works! It will be officially published in the next few weeks—don’t worry, I’ll let everyone know when it's out!

What types of things do you cover in the Licensing Ladder?
In The Licensing Ladder, I first help the participants identify key components of their work. Once we have that, we discover the product categories most likely to bring success, and then go through the steps to determine what manufacturers might best suit them. It’s a standardized, step by step repeatable process, and it works whether the artist is looking for clients or an agent. It’s worked for me, and it’s also working for the artists who tested the class with the me this summer.

One of the important features of this class is that it’s a live on-line class—so there’s lots of opportunity for interaction between me and the group as well as time for questions and answers. We DO actually talk about it! Because of that, I’m limiting it to 12 students so I can give maximum attention to everyone. All the details are on my website.

How do I (and our readers) know if this is a fit for me and what is the cost?
I wrote a blog post to help people decide which of the classes are right for them. (Read it here.)  Even if you have been around the licensing world for a while the Skillshare class (How to Make Money with Art Licensing) is a great refresher.

If you think you're ready to launch in licensing (or have already) and really want to see results for the hard work you’ve done on that portfolio, then The Licensing Ladder is for you!

Do you offer any follow up or support after I finish the class?
Why, funny you should ask because yes, I do! Each Licensing Ladder class will have their own private Facebook group, plus, after the 5 week class is over we will get together again in online live sessions at 30, 60, and 90 days so you don’t lose momentum once the lessons are over. They actually turn into reunion type of events because the class participants have become friends and are very supportive of each other.

Do you want to talk about Jim’s expertise/skills at all?
Jim? Jim who? Actually, I do! After our years working together as Two Town Studios we have developed a shorthand type of communication and collaboration. He weighs in on our overall strategy and helps behind the scenes on much of what we do, thank goodness! Not only does he know this business, he is an accomplished copywriter and editor, and is very good at polishing all of our marketing, communication and production copy. He also does that for some other established artists in the business - but he hasn't marketed that much, nor does he kiss and tell. If you need a sticky client or contract question answered, or a letter, sales or web copy written, he's your guy. I'm so lucky to have him. And Larry (the greatest rescue dog ever) too.

I thank my lucky stars every day to be living this life and doing the kind of work I love.

Find Ronniehttp://ronniewalter.com

Coming up! Ronnie will be joining my 2nd Thursday chat group, October 12th, 6:30 pm CST, on ArtLicensingShow.com . Answering questions around time management and more! Please join us, it is always a fun and interesting time :-D
 

Friday, August 25, 2017

Bo's bLAWg - Performance Provision


MJ Bogatin (“Bo”) of Bogatin, Corman & Gold, is an Arts and Entertainment Attorney in San Francisco.  He is also a long-time President of California Lawyers for the Arts. www.calawyersforthearts.org. Bo is available to answer some of your questions surrounding the business of Art Licensing. - THANKS BO!
 
Dear Bo,
I licensed some illustrations to a group that provides imagery to manufacturers.  Only one license was ever entered into to my knowledge.  It was provided on an exclusive basis!  My agents indicate that to their knowledge my illustration was never used on products as anticipated.  I want to leave this licensing group and recover rights to my illustration.  What are my rights?  Hillary


Dear Hillary,
There are a number of issues included in your question.  I cannot answer any of them definitively without looking at the existing contracts, but they are good for this bLAWg!
Here is how I would approach the matter.

First, I would look for the Performance Provisions of each contract, the one with your Agent group and with the manufacturer.  I would hope that you did not sign up long-term with this Agent without there being some minimum level of success with respect to licensing of your illustrations in particular.  Back in October of 2015 I discussed the use of “Minimum Thresholds” to insure that a manufacturer was making adequate use of your illustrations for the ongoing benefit of each party.  (see http://annietroe.blogspot.com/2015/10/bos-blawg-get-back-your-rights-royalty.html)

The same kind of Minimum Threshold approach can be used with an Agent.  They may need rights without minimum earnings for a year to ‘ramp up’ on their promotion of your artwork, but by the end of the second year I would hope and expect that they would have secured a sufficient number of advance$ to meet their own minimum expectations as well as yours.  As I mentioned in Oct. 2015, the Licensee’s or Agent’s own projections on these expectations can serve as the contract Minimum Threshold.  If the Agent will not agree to financial minimums, they may consider a minimum number of licenses to be obtained within the first two years of the Agreement.  If that expected minimum is not met, the provision would allow either Party to the Agreement the right to terminate it early.

With respect to the manufacturer, the common “Performance Provision” requires them to make use of your licensed imagery within a certain number of months since execution of the Agreement, or lose the licensed right to use your imagery.  The basic Performance Provision is intended to insure that your illustrations are not being ‘banked’ but must be used within a reasonable period of time.  If the manufacturer fails to move forward with the expected product use, you (or your Agent) would have the right to terminate and recover your rights to the imagery.  See if there is not a Performance Provision in the License signed, and if you do not already have the right to terminate that license.

I should mention here that sometimes the manufacturer is just about to go to market with a product featuring your illustration(s).  If they are ‘in breach’ by not meeting the “performance”  deadline of the original License, you can jam them up by given them notice of a breach of contract and demanding that they “cease and desist” from use of your imagery.  A compromise at that juncture might include a significant new additional advance on royalties.

However, do not overlook the possibility of a contract “Cure Provision.”  Does the manufacturer License give the manufacturer additional time to cure the claimed breach and avoid the termination right?  Many do.  In which case, not only must Notice of the Breach be given in the  manner specified in the License, but the manufacturer may be able to avoid the breach altogether by getting the product with your illustrations into distribution within the (usual) 30-day cure period.  Don’t be disappointed if that is exactly what occurs.  Isn’t that what you actually wanted in the first place – the products with your artwork in the marketplace?  Sometimes, the manufacturer just needs to be hurried along.  The Performance Provision can be useful for that purpose.

Disclaimer: The information contained in this website is not intended as legal advice. Because the law is not static, and one situation may differ from the next, we cannot assume responsibility for any actions taken based on information contained herein. Also, be aware that the law may vary from state. Therefore, this website cannot replace the advice of an experienced attorney. Receipt of this information does not create an attorney-client relationship. MJ Bogatin, Bogatin, Corman & Gold, www.bcgattorneys.com
© 2017 mjbogatin


Have a legal question? email it to info@AnnGraphics.com. I will forward it to Bo. It might be a blog post! You can search "Bo's bLAWg" to read more posts. I am looking forward to your comments and thanks for sharing this great information on social media.

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Friday, August 18, 2017

Agent Spotlight - Wild Apple

 

How long have you been in business and how did you come to be an agent?
We started in 1990 as a poster publisher. While Laurie and I were at art shows we kept getting asked by manufacturers (including company after company claiming to be the #1 puzzle company in Japan) how they could get the art for their products. At the same time, our artists kept asking us to take care of all the “business stuff” when manufacturers approached them directly. Finally, we followed the demand and became a licensing agent. It's been a wonderful decision that has helped us grow Wild Apple and the careers of many artists.

Who are the manufacturers you work with - how did you establish those relationships?
We work with manufacturers across home decor, bath, kitchen, gift and stationery. Our relationships go back decades with many, and almost all of our business is with repeat buyers. Each relationship started small, with just a few images and grew over time. We are continually reaching out and looking for new partnerships to grow our market base and "make the world more beautiful with art".

Do you have employees/help?
Currently, we have 35 employees.


How do you market artists?

  • We exhibit at Trade shows: Surtex, Licensing Expo, West Coast Art & Frame, FamaArt

  • Our new and improved website: www.wildapple.com

  • Videos like our 1-minute Artists Videos and new "in The Artist Studio" on YouTube

  • Bi-monthly email newsletters packed with trends and our monthly lookbooks that introduce new art and artists
  • Social media: Facebook, Twitter, Pinterest, Instagram, LinkedIn

  • Print ads in Li©ense and Art of Licensing

  • We attend the Atlanta and Vegas Markets to meet with customers

  • Sales visits to customers

  • Trend Reports
  • Blogging

What do you look for in an Artist?

Our artist base is diverse. We work with fine art painters, illustrators, and photographers. We are always on the lookout for artists creating fresh, trend-forward art with broad decorative appeal that is marketable into global home decor markets. We also love working with artists who love the challenge of an assignment and aren't afraid to expand their body of work into new and exciting directions.

How much work do you expect artists to create?
Each artist is different. We have some artists who create a steady stream of art and send us over 20 new pieces a month to chose from. Others send less. Our customers are looking for a steady stream of new art and patterns, so the more to work from the better.


Any great news you would like to share?
We were thrilled to launch a new website this past Spring that gives our customers better ways to search for art, a more powerful portfolio tool and better access to our Lookbooks, trend magazines, trend blogs and more.

We have introduced a number of new, amazing artists over the past year and a half including Phyllis Adams, Melissa Averinos, Felicity Bradley, Kellie Day,  Patsy Ducklow, Jan Griggs,  Piper Rhue, Miranda Thomas and Farida Zaman.

We recently hired a new National Licensing Accounts Manager - Tiffani Price! With over 25 years of sales, marketing, management and product development experience, she has first-hand experience delivering successful programs to retailers.

A new project we are very excited about is our collaboration with Rustic Wedding Chic www.rusticweddingchic.com to develop a new line of wedding-themed stationery - look for it at retail soon!

As one of the founders of the Art Copyright Coalition (http://www.artcopyright.net/), we are continuing our fight to protect art and creativity. Copyright infringement is still a huge problem globally. Working with other publishers and licensors we take action against infringers, raise awareness and educate retailers on the importance of copyright. We travel to China 2 to 3 times per year to walk the major shows, take down infringing products and work with overseas manufacturers to legitimately license art for their products. This work has led to a marked decrease in the number of illegal products we see at shows and new, productive partnerships.

 You can find Wild Apple's amazing art/artists, newsletter and more go to https://wildapple.com/

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Friday, July 14, 2017

Agent Spotlight - Art House Design

 

How long have you been in business and how did you come to be an agent?  
I started my business in Hong Kong in 1991, I wanted to live in Asia for a while and I noticed that a lot of publishers moved their printing from Europe to Hong Kong. Subsequently there was a lot of demand for good quality European designs.

 

Who are the manufacturers you work with - how did you establish those relationships?  
We work with all the main card publishers in Europa, US and Australia. From small players who supply the small tobacco chain to Hallmark licensees.

Do you have employees/help? 
We work with salesmen in Asia and Latin America, all the designers we work with are freelancers although with some we work for 25 years already.

How do you market artists?  
We exhibit at several fairs like Frankfurt, New York, London. Further I still travel a lot to visit clients so I can emphasize new lines and designers. I still feel that in this time of internet it is still important to have personal contact with clients.

 

What do you look for in an Artist?  We prefer commercial artists over niche styles since we sell all over the world.

How much work do you expect an artists to create?
At least 50 a year but some arts may take more time.

Any great news you would like to share? We just released our new web page with over 20,000 arts. When the client logs in, it has a unique filter that filters out designs that were licensed in the country of the client. Therefore, clients are never frustrated that part of their selection is not available.

 

How has the Art Licensing business changed over the years?
Of course the internet has changed the business dramatically but it also helps to be in business 24/7 all over the world.

Any advice or information you would like to share? 
Travel, visit prospects and believe in what you do.

You can find Art House Design




Want to be spotlighted? email me info@AnnGraphics.com. I am looking forward to your comments and thanks for sharing this great information on social media.

 

Make my day! and Buy me a cup of coffee (PayPal Link in right side bar, you don't need a PayPal acct.)
Don't want to miss the good stuff? Sign up for my newsletter ;-) Really looking forward to your comments below!

 



Friday, June 9, 2017

Artist Spotlight - Irina Trzaskos



Tell us a bit about yourself: Did you go to school for art? Are you self taught?  
Annie, thank you for the opportunity of being featured on your wonderful blog.
I have a degree in Interior design and I have painted and drawn since I can remember. During my school years I would go to after school art programs to paint because I was enjoying it so much. I always knew that my career would be somehow connected with art. 

Do you work in just one medium? Several?
I mostly work in watercolor. It is my favorite medium since I was little. I was always exploring different mediums, and I am familiar with some software which makes life easier for me and my agent when I have to prepare my art for licensing.

What inspires you / where do you get inspiration from?
My main sources of inspiration are architecture, textiles, ceramics, theater, art history and crafts of different cultures. Beautiful color schemes are also very inspiring.



How did you start licensing your art?

When I moved to the US in 2012, I had to decide what direction my career should take; that is when I found out about art licensing. It took me several years to gain confidence, build a portfolio and as a result to look for and find an agent.

What are you working on now?
We just got back from a trip, and I have several projects going on: I am filming my next Skillshare class, developing new collection to submit to my art licensing portfolio and also I started to illustrate a book, my husband wrote.

Any great advice for our readers?
In art licensing, besides being creative it is very important to stay organized, have goals and constantly keep growing your portfolio, even if there are no specific assignments. I found my agent surprisingly easy – after I took watercolor classes I built a portfolio of 25+ art pieces , I picked my 5 favorite of them and started sending letters to licensing agencies I thought could be a good fit to represent my work. In a few days I got a letter from Art Licensing International.



Anything else you would like to share with us?
Besides creating art for licensing and teaching I love illustrating books. My husband writes fairytales and I illustrate them. It is our personal project we enjoy very much. Our books series is called Tales From a Magical Forest.




Are you an early riser? or night owl?
I always considered myself a night owl, but several years ago I noticed that I don’t like to work at night anymore and I really enjoy having breakfast with my husband instead of sleeping in ).

What is your favorite food?
It depends on season, I love seasonal fruits paired with different kind of cheeses. Also, I love fresh bakery items, a croissant and a cup of latte can make me instantly happy.

You can find Irina:

FACEBOOK https://www.facebook.com/irinatrzaskosstudio
INSTAGRAM  @irinatrzaskos

OUR BOOKS: https://www.facebook.com/TalesfromaMagicalForest/
            
https://www.amazon.com/author/talesfromamagicalforest 
  

For licensing my work please contact Art Licensing International :
http://artlicensing.com/content/irina-trzaskos-studio

SKILLSHARE CHANNEL: https://www.skillshare.com/r/irinatrzaskos


Want to be spotlighted? email me info@AnnGraphics.com. I am looking forward to your comments and thanks for sharing this great information on social media.

 

Make my day! and Buy me a cup of coffee (PayPal Link in right side bar, you don't need a PayPal acct.)
Don't want to miss the good stuff? Sign up for my newsletter ;-) Really looking forward to your comments below!

 

Friday, May 5, 2017

Artist Spotlight - Judy Reed Silver

 
(Click on images to view larger.)

Tell us a bit about yourself: Did you go to school for art? Are you self taught?   
I went to Art Center College of Design in Pasadena and focused on illustration and fine art.  While I was much younger I attended Brentwood Art Center for several years - started there when I was thirteen in adult life drawing classes as they didn’t offer any classes for kids at the time. I luckily had a family that allowed me to turn our kitchen into an art experiment. 
Do you work in just one medium? Several? 
It depends. If I’m working on canvas or for a fine art print I work with collage using my photography (sometimes steal my husbands as he used to be a professional photographer) and patterns that I created. I print to fabric or special papers. But for illustration, design and licensing I often work solely digital or scan in my drawings and vintage photos, manipulating within Photoshop. I also use cutline filters for a “vintage” effect. For wall patterns or fabrics, I usually use Illustrator, as most companies I’ve worked with prefer art supplied as vector files.
 

What inspires you / where do you get inspiration from? 
Japanese kimonos, fabrics, textiles, nature, especially anything vintage. I love modern architecture, interior design, fashion and that's what inspires me to incorporate my work for walls, rugs and fabrics.
How did you start licensing your art? 
A close friend and art director was working on a project for clothing and didn’t know the technical aspects of how to create patterns within illustrator. So she asked me to assist her on the project. This was back in 2005 and that job led to another large project with another design firm creating several clothing lines. I realized that between my love for fashion and architecture licensing would be a good fit. I was then approached by a licensing rep that convinced me to move forward and go all in.

What are you working on now?  
Designed another scarf recently for the National Cherry Blossom Festival (held in DC each spring); they sold quite well.  I also had fun with nature-inspired imagery for use on cool water bottles produced out of Sausalito. And then I'll work on a collage-y piece for a magazine. It's a nice blend of clients and I value what that diversity brings. Just now, my agent, Liz Sanders/Liz Sanders Agency and I have  promotional materials we're collaborating on. ...Would like to approach my blank canvas boards again!

 
Any great advice for our readers?
When approaching licensing, make sure the contracts make sense and are fair, most are slanted towards the Licensee. All copyright transfers are contingent upon payments in full, which should include a copyright reversion clause if any breach in payment or usage. The “Net” proceeds should be specific. Also the artist credit should be stated on the artwork and advertising/promotions. When seeking a licensing rep, speak to the other artists in their group to get proper background info.

Anything else you would like to share with us?
A few of my images are licensed through a company called, “Soundwall.” They produced this new sound/music technology that is transferred directly through the artwork and not a speaker. I listed their link below.
Are you an early riser? or night owl?
Really a night owl. I rarely go to sleep before 2 am. Everyone knows to never call me before 10 am. I do my best work at night.
What is your favorite food?
Indian food, and Caesar salads.



You can Find Judy:






Want to be spotlighted? email me info@AnnGraphics.com. I am looking forward to your comments and thanks for sharing this great information on social media.

 

Make my day! and Buy me a cup of coffee (PayPal Link in right side bar, you don't need a PayPal acct.)

 Don't want to miss the good stuff? Sign up for my newsletter ;-) Really looking forward to your comments below!

 

Friday, March 24, 2017

Agent Spotlight - Brenda Manley Designs


How long have you been in business and how did you come to be an agent? 
I worked 16 years for a paper tableware manufacturer in multiple positions.  Started as a graphic designer for catalogs, then promoted to designer, senior designer, assistant manager and finally design manager.  I created trend briefs, art directed and was an art buyer/licensee.  I had been attending Surtex for 10+ years.  At each show without fail, I was in complete awe of all the insane talent oozing from each booth. The creativity was intoxicating!  I have always had the entrepreneurial spirit so I decided to switch sides of the proverbial table. Since I am an artist first, my original intention was to freelance on my own.  Along the way I met emerging talent who had little experience in this industry. In my attempts to help some of them my agency developed organically. Some may see me being an artist as confusing while being an agent at the same time.  I reassure them that my art directing skills are stronger and that my creative output is rather infrequent. I truly feel being an artist combined with 16 years of manufacturing experience is a win/win situation.  I understand the demands of manufacturing deadlines and know the challenges designers face.  I thrive being the conduit to both sides!  So while we are in our 3rd year of business I bring over 28 years of design experience to the table with 19 of those years specializing in the social expressions/surface design industry.  

(Editor's note: you can click images to view larger)
Angel Gerardo - AG_0042_Joy to the World_CS

Who are the manufacturers you work with - how did you establish those relationships?
Relationships have been established via exhibiting at trade shows.  I have had the pleasure working with many outstanding manufacturers, some of which have requested to remain anonymous.  However, the following have granted permission to publish:  Amscan, Apache Mills, Claire’s Accessories, Clever Factory, C.R. Gibson, Demdaco, Design Design, Design House Greetings, DesignScapes, LLC, Groupe-Editor, Hallmark, Igloo, International Greetings, Michael Miller Fabrics, Mohawk, National Imports, Northcott Fabrics, Jillson Roberts, Lenox, Pier 1, Seaman Paper, Sterling Brands, Sullivan Paper, The Lindy Bowman Co., TJX, Unique and Wigwam Mills.

Do you have employees/help? 
I have recently been employing the help of a contractor who helps with admin and accounting.  This frees me up to do what I do best - support my artists, art direct, network and secure projects for our talented team!

Alyssa Kays - AKD_15C001_Candy_Christmas_Train_Card_OP

How do you market artists? 
Many ways!  Instagram, Facebook, Twitter, LinkedIn, newsletters, advertising in trade publications and exhibiting at trade shows. Oh, and several interviews here and there ;-)

What do you look for in an Artist? 
Passion, design style, originality, color sense, technical skills (PS and AI expert level) and authenticity as an individual.
Amiee Sue Malott - ASM_16078_Baby Collection

How much work do you expect an artists to create? 
I ask that they produce 12 new designs a month.  While this may vary per designer due to design style, it is a suggested guideline.  This helps them develop as an artist (the more we create, the more we develop).  It also helps keep our portfolio fresh so we are relevant to manufacturers who have little to no development time. 

Any great news you would like to share?  
We have a very desirable booth location this year at Surtex.  We are in booth 2707 - right in front of the entrance!  I’m so excited I can barely stand it!  Oh, and I also I have some very exciting news but it’s too soon to share.  Stay tuned!
Emma Schonenberg - ES_EXG16_005_Exotic_Garedn_01_OP_B
How has the Art Licensing business changed over the years?
I’ve seen a shift in manufacturers moving away from licensing and procuring artwork via purchasing artwork out right - full buy out.  This works well if manufacturers are equipped with an in house team to manipulate the artwork.  However, on the flip side, there are still many viable licensing opportunities available.  Each has it’s advantages and disadvantages.

Any advice or information you would like to share? 
I would say the most valuable piece of advice is to show up everyday no matter the circumstances.  Release the outcome of what you think it should look like. Just keep creating, dreaming, journaling and keep doing the necessary actions to achieve the next level on one’s goal/bucket list DESPITE the challenges, mistakes and disappointments.  For it is in these trying times that our character develops.  One with character, preparedness, and quality content rarely relies on luck to succeed - THEY FLOURISH!



Want to be spotlighted? email me info@AnnGraphics.com. I am looking forward to your comments and thanks for sharing this great information on social media.

 

Make my day! and Buy me a cup of coffee (PayPal Link in right side bar, you don't need a PayPal acct.)

 Don't want to miss the good stuff? Sign up for my newsletter ;-) Really looking forward to your comments below!



Friday, February 3, 2017

Artist Spotlight - Amy Kirkpatrick

 

Tell us a bit about yourself: Did you go to school for art? Are you self taught? 
Art became my passion at a very young age. Living in South Florida, my parents set up a little art desk for me to keep myself entertained during their long hours working at a local newspaper they owned. I went through coloring books so fast that my mother finally gave me a stack of blank paper and told me to make my own.

I excelled in art through high school and received a BFA degree from Florida State University in Studio Art with an emphasis in graphic design. My first job was at a check printer, John Harland Company in Atlanta, Georgia. I have since created designs and illustrations for many Fortune 500 companies including high tech companies such as Oracle and Cisco, universities, power companies, hospitals and medical companies, industrial manufacturers, including fashion icons such as Adidas and my personal favorite, Ashworth Golf Wear.

Often my work was done through advertising agencies or design boutiques, but some were full time corporate jobs such as Oracle, where I created illustrations for web-based training. I have designed about every kind of corporate collateral you can think of along with logos, software user interface, and web advertising and design.

In 2000, I began freelancing and found myself often waiting for proofing revisions. To keep myself busy while I waited, I'd paint. I started selling my art on eBay just to see what would happen and they sold! As my confidence and sales have grown, I am only doing graphic design for my own art business now.

Do you work in just one medium? Several?
I started out painting with acrylic, but after taking a community class in watercolor, I became forever hooked with the way it blends and blossoms. I absolutely love it.

I have full knowledge of Adobe Creative Suite and spend a great deal of time on the computer.

I also do a lot of gel pen drawings. After I bought a pack at Costco on a whim, I fell in love with them. However, I have not released my gel pen drawings, yet. There's the issue of reproduction quality because of their reflective nature, so I do them for my own amusement. I have about 100 finished pieces but they are so different than my watercolor paintings that I'm still deciding the best way to market them.


What inspires you / where do you get inspiration from?
I am mostly inspired by nature. I love painting living things. I also enjoy taking art classes for inspiration and to be around other artists. I am lucky to live in San Diego with access to world class watercolor teachers and the San Diego Watercolor Society that brings in outstanding visiting artists. This year, I took a class with Charles Reid and for the first time, attempted painting portraits of people. Since then, I found a group of artists that meet every Friday at one of our libraries with uninstructed portrait drawing and painting with live models. It has been great fun.

How did you start licensing your art?
My first big break was with Better Homes & Gardens publications in 2011. I had painted a couple butterflies and shown them to a friend who immediately wanted to buy them. She was planning to remodel her kitchen for a BHG publication. My butterflies became the theme of the remodel and ended up in two magazines as well as online. I decided I better paint more before the magazines came out so I challenged myself to paint 100 butterflies in 100 days. My butterflies were immediately picked up by an art licensing buyer and have been selling worldwide.

More licensing opportunities have come to me directly through my Etsy shop where I sell my originals and signed giclées. AmyKirkpatrickArt.com

What are you working on now?
I have nearly 600 paintings and always have several I'm working on. I do all the scanning and processing for prints myself which is very time consuming. My goal for 2017 is to get them all scanned so I can begin showing them online. They can't sell if no one can see them! All this while I continue to paint.

I paint what makes me happy and hope my joy shows through to make someone else happy.


Any great advice for our readers?
A friend and I tease that whoever dies with the most paints wins! But in truth, it's not about how many colors you have, but what you can do with the colors you have. My advice is to always be practicing and try to come up with your own unique ideas and style.

The best advice I received when I first started selling was from a gallery sales trainer. He told me to decide what kind of artist I wanted to be. There are many paths an artist can take and each requires a different level of skill, subject, style, and self-promotion. For example, what sells in a gallery won't necessarily sell to a product manufacturer. He was the first person to talk to me about art licensing.

Anything else you would like to share with us?
I paint because I love it. I think it may be an addiction. I have so much in my head that I want to paint that sometimes I can become paralyzed with too many ideas. I keep an ongoing list and a sketchbook of my ideas. I surprise myself sometimes when I review them and see something I think is really good that I had forgotten about. I am always grateful for having the forethought to document it, because how many ideas have I lost because I didn't do a quick sketch?

I do not have an agent. I have done very little self-promotion with manufacturers but have been fortunate for those that have found my art and contacted me. My most recent licensing agreement has gotten my art in the wall art section of Wayfair.

Are you an early riser? or night owl?
I am not an early riser. Since my husband gets up at 6:00am, he thinks I've slept half the day away when, as he puts it, I "finally" get up at 8:00am. To me, that's my perk of self-employment.

What is your favorite food?

My favorite food is Thai food. I love a good Penang curry!



You can find Amy:

amykirkpatrick@roadrunner.com
AmyKirkpatrickFineArt.com
AmyKirkpatrickArt.com (Etsy)
AmyPrints.com (Fine Art America)
Facebook.com/AmyKirkpatrickFineArt
www.instagram.com/amykirkpatrickart
twitter.com/ak_art

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Friday, November 4, 2016

Artist Spotlight - Cathy Braffet Richardson

 

Tell us a bit about yourself: Did you go to school for art? Are you self taught?
Art to me: The constant appreciation of visual awareness is something that inspires me every day... whether working on a freelance project, creating my own line of designs, hosting a workshop or collaborating with my kids on an art project or dreaming about starting a creative business with my daughter Melissa, art and the creative process is part of my soul.

Looking back to my drawings and paintings as a kid, I have always loved bright color, whimsical line and bold shapes.​ ​From a very young age I remember creating art.... when ever I could. I vividly remember how I felt looking at colors in the sky at different times of the day, and the negative space/composition looking up into the sky through canopy of leaves in a tree. Nature’s lessons shaping my passion of graphic arts and design before I even knew what that was. I believe my creative connection with others, a relationship with nature and a spiritual trust have all built my foundation as an artist.

I received my BFA from Syracuse University's School of Visual Art, where I learned creative discipline and confidence that I could be one day be successful doing what I love. THIS, and supportive parents were the key to the start of my professional life as an artist. After college I studied abroad in Europe through a post graduate semester at Parsons and found my passion of printed fabric and architecture. Both geometric, and organic forms and the repetition in both design disciplines have also shaped my style and visual presence. During my early 20s I lived and worked in NYC. My first graphic design position was at Kick Design where I learned what licensed character art "was". The impact of how the design process of licensed consumer goods was a field I would eternally be connected to. In the mid 90s I was hired by The Walt Disney Company in Los Angeles as a staff designer at Disney Consumer Products​. ​This to me was an artist's dream come true.​  ​
Learning about licensing, design in consumer markets from my mentors during this time of my life helped me build confidence in own art style and brought me to where I am today. My licensing agents, Paul and Marcy at Creatif have been wonderful helping me grow as an illustrator. My clients help me to grow professionally but also allow me to keep current in market trends and ​in​ technology.
​Most importantly, ​​my family teaches and supports me daily with creative balance and bless my life. This is an art of itself.

Do you work in just one medium? Several?​  ​
​On a daily basis I work in Adobe Illustrator and have a love affair with vector points for sure. That​ said, it is my natural joy to paint and draw in a mixed medium format with acrylics/dyes/pens brushes and textures in my sketch books. Creating art with others in either a one-on-one or workshop format “fills my cup! And gets the creative juices flowing”.



What inspires you / where do you get inspiration from?​ 
I find inspiration from my kids; their interests, their lifestyle markets in apparel, home goods, social media trends, music and actually their dreams and desires. I also have always found inspiration through color palettes in fashion and in nature, amazing visual artists, activists and yogis and of course our beautiful Texas Sky....

How did you start licensing your art?​ 
Throughout my career I have worked with entertainment licenses ie Disney etc, designing art for a license OR designing art-product for a licensee. I thought for many years, if flowers I create for Minnie Mouse can sell and be admired, "MY" Flowers for Cathy B. can sell too! Creatif, my agents and I found each other at a perfect time and the story moves on and up from there :)

What are you working on now?
Currently I am freelancing for The Disney Stores and saving up my pennies to start a creative business with my daughter Melissa. We are so excited to create & sell "our art line" on t shirts and other products! Its WIP and very exciting!!!! I am also working on a line of baby prints in a watercolor style which is sort of new for me.

Any great advice for our readers?
My advice to any creative person, is DON'T GIVE UP! And to ​have an ​open mind to see and hear others in a creative process. I have learned there are MANY ways and many directions to take something and always areas to grow - a project, a career direction and a dream. Knowing or experiencing what you "don't like" is just as important as knowing what you LOVE.  Don't be scared ​professionally ​to share your art with others. Supporting other artists, trusting in creative collaboration is amazing! Respect, have gratitude and embrace the "art" of communication and connection with others, with your art and with your creative environment.

Anything else you would like to share with us?

I would love to ask the reader a question, What is your life purpose and what is your mission with your art? This is something I have been working on personally for the past few years and has been extremely important to me in my creative and professional journey. What I have come up with is this: AND I LOVE it. It have brought a deeper purpose into my art and my direction.

care. create. communicate 
This is my mission and my creative purpose.

Gosh, I'd love for you all to check out my website. In the new year, it will be updated with some really fun new and current projects​ as well as a link to "our store" My daughter and I are opening up a very special little business!  www.cathybdesign.com


Are you an early riser? or night owl? 
I am a total night owl and some of my best work comes from working all nighters and sometimes even last minute deadlines! (shhh!) :) ​Finding your groove with sleep patterns/creative process for sure helps​ with starting and or finishing a project! Now that took years to figure out.....

What is your favorite food?​ 
Dark chocolate, my daughter's chocolate chip cookies, "The Fountain" veggie juice from Juice Land​ and yellow tail sushi.

You can find Cathy Braffet Richardson: 
www.cathybdesign.com

I also have a little word of mouth local"ish" side business creating personalized gifts​ ​that might be worth checking out: http://www.facebook.com/cathybdesign

Creatif Licensing: http://www.creatifusa.com/

Lastly, I want to thank Annie for connecting with me through linked in, this is such a powerful networking​ platform. Used correctly with a little elbow grease and communication skills, connecting with professionals here has been very successful. https://www.linkedin.com/in/cathybdesign

 

Make my day! and Buy me a cup of coffee (PayPal Link in right side bar, you don't need a PayPal acct.).

Don't want to miss the good stuff? Sign up for my newsletter ;-) Want to be spotlighted? email me: info@AnnGraphics.com

 

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