Showing posts with label art agent. Show all posts
Showing posts with label art agent. Show all posts

Friday, September 8, 2017

Ronnie Walter Talks About Making Money with Art Licensing and MORE!


Hey Ronnie! I consider you my go to person for all things art licensing. Would you take a minute and give us a little background on you for our readers?
Of course—I’m a licensed artist, writer, and also an art business coach and teacher. After getting my BFA I worked a variety of jobs in my quest - I worked in the ad department at a major retailer, sold color separations back when there was such a thing, became a staff illustrator and then Art Director at a stationery company, and then finally went out on my own as a freelance illustrator twenty-some years ago. In 2000, I formed Two town Studios with my husband Jim Marcotte, and we worked as licensing agents for a number of artists and properties for the next 16 years. I’ve licensed my art on all kinds of products including fabric, giftware, home goods, stationery, greeting cards and more. I am the creator and illustrator of the 17 Coloring CafĂ© coloring books, and have self- published and traditionally published a number of both fiction and non-fiction books including License to Draw. I tend to keep busy!


I like to think that my art led to writing, my writing led to coaching, and my coaching has now led me to teaching! It goes to show you that if you keep moving forward, our creative careers are ever-evolving and endlessly interesting! But as much as I love all of it, my first love has always been drawing, and coming up with interesting concepts to help people say the things they might not be able to say on their own—and that will never change!

I hear that you have a new service you are offering? Tell us a bit about it.
A few things are happening simultaneously around here!

I launched the first in my series of classes on Skillshare.com. How to Make Money with Art Licensing  is live now and is designed for artists to understand the basic details of the business—everything you need to find out if this is the best way to monetize your art, and how to get started doing it. It's an easy format, and it will only take you a little over an hour to go through the videos. An hour chock full of information!


I am also launching a live, multi-week class called The Licensing Ladder. It’s a more intensive class, positioned for artists that feel confidence in their art and portfolios (for the most part; I totally understand how a portfolio moves and changes as we do), but who are hesitating—or are flat out chickening out—and not getting their art in front of the clients who can license it. It's also for artists who may have had some traction, but feel like they are not hitting the right product categories or right potential clients.

I was not a natural salesperson, but once I decided that licensing was the right method to make money freelancing with my art I had to devise systems that got me in front of decision makers. I also needed a system to keep me confident so I wouldn’t panic each time I was ready to contact a new client. Participants in The Licensing Ladder will learn these systems—ways to identify your right clients, and then communicate with them in a manner that feels comfortable and not all “salesy”. (NOTE: Check with Ronnie on dates for The Licensing Ladder - Hurricane Irma has postponed it)


And there one more project I'm excited about. Over the past year or so I have been working on a planner specifically designed with people like us in mind. It’s called the Next! Planner for the Creative and Active Mind. I’ve gone through a beta testing period with a group of artists and creatives, and right now I’m putting the finishing touches on the publication copy. I also use it personally and love it - it works! It will be officially published in the next few weeks—don’t worry, I’ll let everyone know when it's out!

What types of things do you cover in the Licensing Ladder?
In The Licensing Ladder, I first help the participants identify key components of their work. Once we have that, we discover the product categories most likely to bring success, and then go through the steps to determine what manufacturers might best suit them. It’s a standardized, step by step repeatable process, and it works whether the artist is looking for clients or an agent. It’s worked for me, and it’s also working for the artists who tested the class with the me this summer.

One of the important features of this class is that it’s a live on-line class—so there’s lots of opportunity for interaction between me and the group as well as time for questions and answers. We DO actually talk about it! Because of that, I’m limiting it to 12 students so I can give maximum attention to everyone. All the details are on my website.

How do I (and our readers) know if this is a fit for me and what is the cost?
I wrote a blog post to help people decide which of the classes are right for them. (Read it here.)  Even if you have been around the licensing world for a while the Skillshare class (How to Make Money with Art Licensing) is a great refresher.

If you think you're ready to launch in licensing (or have already) and really want to see results for the hard work you’ve done on that portfolio, then The Licensing Ladder is for you!

Do you offer any follow up or support after I finish the class?
Why, funny you should ask because yes, I do! Each Licensing Ladder class will have their own private Facebook group, plus, after the 5 week class is over we will get together again in online live sessions at 30, 60, and 90 days so you don’t lose momentum once the lessons are over. They actually turn into reunion type of events because the class participants have become friends and are very supportive of each other.

Do you want to talk about Jim’s expertise/skills at all?
Jim? Jim who? Actually, I do! After our years working together as Two Town Studios we have developed a shorthand type of communication and collaboration. He weighs in on our overall strategy and helps behind the scenes on much of what we do, thank goodness! Not only does he know this business, he is an accomplished copywriter and editor, and is very good at polishing all of our marketing, communication and production copy. He also does that for some other established artists in the business - but he hasn't marketed that much, nor does he kiss and tell. If you need a sticky client or contract question answered, or a letter, sales or web copy written, he's your guy. I'm so lucky to have him. And Larry (the greatest rescue dog ever) too.

I thank my lucky stars every day to be living this life and doing the kind of work I love.

Find Ronniehttp://ronniewalter.com

Coming up! Ronnie will be joining my 2nd Thursday chat group, October 12th, 6:30 pm CST, on ArtLicensingShow.com . Answering questions around time management and more! Please join us, it is always a fun and interesting time :-D
 

Friday, June 9, 2017

Artist Spotlight - Irina Trzaskos



Tell us a bit about yourself: Did you go to school for art? Are you self taught?  
Annie, thank you for the opportunity of being featured on your wonderful blog.
I have a degree in Interior design and I have painted and drawn since I can remember. During my school years I would go to after school art programs to paint because I was enjoying it so much. I always knew that my career would be somehow connected with art. 

Do you work in just one medium? Several?
I mostly work in watercolor. It is my favorite medium since I was little. I was always exploring different mediums, and I am familiar with some software which makes life easier for me and my agent when I have to prepare my art for licensing.

What inspires you / where do you get inspiration from?
My main sources of inspiration are architecture, textiles, ceramics, theater, art history and crafts of different cultures. Beautiful color schemes are also very inspiring.



How did you start licensing your art?

When I moved to the US in 2012, I had to decide what direction my career should take; that is when I found out about art licensing. It took me several years to gain confidence, build a portfolio and as a result to look for and find an agent.

What are you working on now?
We just got back from a trip, and I have several projects going on: I am filming my next Skillshare class, developing new collection to submit to my art licensing portfolio and also I started to illustrate a book, my husband wrote.

Any great advice for our readers?
In art licensing, besides being creative it is very important to stay organized, have goals and constantly keep growing your portfolio, even if there are no specific assignments. I found my agent surprisingly easy – after I took watercolor classes I built a portfolio of 25+ art pieces , I picked my 5 favorite of them and started sending letters to licensing agencies I thought could be a good fit to represent my work. In a few days I got a letter from Art Licensing International.



Anything else you would like to share with us?
Besides creating art for licensing and teaching I love illustrating books. My husband writes fairytales and I illustrate them. It is our personal project we enjoy very much. Our books series is called Tales From a Magical Forest.




Are you an early riser? or night owl?
I always considered myself a night owl, but several years ago I noticed that I don’t like to work at night anymore and I really enjoy having breakfast with my husband instead of sleeping in ).

What is your favorite food?
It depends on season, I love seasonal fruits paired with different kind of cheeses. Also, I love fresh bakery items, a croissant and a cup of latte can make me instantly happy.

You can find Irina:

FACEBOOK https://www.facebook.com/irinatrzaskosstudio
INSTAGRAM  @irinatrzaskos

OUR BOOKS: https://www.facebook.com/TalesfromaMagicalForest/
            
https://www.amazon.com/author/talesfromamagicalforest 
  

For licensing my work please contact Art Licensing International :
http://artlicensing.com/content/irina-trzaskos-studio

SKILLSHARE CHANNEL: https://www.skillshare.com/r/irinatrzaskos


Want to be spotlighted? email me info@AnnGraphics.com. I am looking forward to your comments and thanks for sharing this great information on social media.

 

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Friday, September 2, 2016

Artist Spotlight - Mary Tanana


Tell us a bit about yourself: Did you go to school for art? Are you self taught?  
I went to Syracuse University and majored in Fashion Illustration. After college, I ended up getting a job at a jewelry manufacturer. They trained me on the job to design jewelry, and that’s what I’ve been doing up until 5 years ago. I decided to completely switch careers and become an illustrator and surface designer.  I took a few classes online and at The Rhode Island School of Design so I could learn more about creating digital art. It’s been a tedious journey, but I’m loving every minute of it!

Do you work in just one medium? Several?
I usually work digitally, either in Photoshop or Illustrator to finalize my designs, but I always start out simply drawing with pencil and paper. I am starting to experiment a bit more with watercolor and gouache. I love doing very complicated designs loaded with detail. The more intricate the design, the more it makes my brain happy. Every element or motif that I use is initially hand drawn. I absolutely love to draw, pencil on paper. It’s an essential part of my process.

What inspires you / where do you get inspiration from?
I have always been an avid gardener. I love looking at nature and the outdoors for inspiration. I love to photograph my flowers and get lost in sketching them for hours. I also love folk art from all around the world, especially from Eastern Europe and Russia. Lately I’ve been collecting antique embroidery books from Europe for inspiration.

How did you start licensing your art?
My first few experiences licensing my art were epic failures! I quickly figured out what types of companies to avoid and which to pursue. I now have an agent, Jan Draheim from Painted Planet Licensing Group, and I’m starting to see some of my artwork come to life in a number of different product categories. So exciting!


What are you working on now?
I’m just finishing up a few coloring calendars. Then I’ve been asked to create some ceramic collections, which is something really new and challenging for me. I’m really excited to work on some fabric collections in the near future. I love creating patterns. And I love seeing what people sew with my fabric designs.

Any great advice for our readers?
Try to not compare your work or achievements to other artist’s accomplishments. This is one of the hardest lessons that I’ve learned. We are all on different paths, are at different levels, and have unique styles. Comparing your work to others makes the journey even harder. Also, try to find your “art tribe”. Find a group of artists that are like-minded, and that you can trust to give you advice. I found a fantastic group of women through an online course that I took a few years ago. We have a Facebook group, where we regularly talk about our work, post photos, and bounce ideas off of each other. We also have Skype calls every now and then. This has been an immense help, considering most artists work alone from home.

Anything else you would like to share with us?
A lot of the work that I’ve done in the past year has been for the coloring book industry. Last year my coloring book, Christmas to Color, was published by Harper Collins and was a big success. This year they’ve put together a set of coloring holiday post cards, due to be released this Fall. I’ve also licensed more holiday coloring ornaments and art with Primitives by Kathy.

Are you an early riser? or night owl?
I always have been a night owl. I think I started this habit in college, I loved to work at night because it was so quiet. Still do!

What is your favorite food?
I have way too many favorite foods! I think I’ll answer with my favorite cuisines: Mexican and Thai.

Quirky information about me
I have my childhood stuffed animals in nooks around my office as good luck charms.


See more of Mary's work on Painted Planet Licensing Groups site here.

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Friday, July 22, 2016

Agent Spotlight - Gelsinger Licensing Group

 
 

How long have you been in business and how did you come to be an agent?
My parents, Brian and Dona Gelsinger, started the business in 1994, at the time it was called Little Angel Publishing.  My mom had just barely started in the industry as a licensed artist with Lightpost Publishing, Thomas Kinkade’s company and they landed a deal to produce artwork for a line of collectible plates.  She also did a few deals with 2 terrific agents Elise Rosenthal and Suzanne Cruise, one of those deals is still in place today actually!  While Dona loved working with an experienced agent, my family wanted to take ownership of the entire process and create a larger business around Dona’s art, so we made the decision to start our own publishing and licensing company to promote and sell artwork.  Over 20 years later, much has changed in the industry, but the foundational vision remains the same, creative terrific art that inspires people.

Who are the manufacturers you work with & how did you establish those relationships?
If you have really good and industry relevant art, you can usually find someone who wants to license it.  The key is choosing the right partners and working together to build successful programs for everyone involved, retailer, manufacturer, agent and artist.  Our aim is to build deep and longstanding, collaborative relationships with our licensing partners.  Many of these relationships have spanned well over a decade and we’re honored to count many of our customers as also good friends.  Some of our longest standing relationships include: The Bradford Exchange, Precious Moments/Ne’Qwa. Leanin’ Tree, Manual Woodworkers and Weavers, Evergreen, Masterpieces Puzzles and many others.  We have some more recent licensing partners who are doing some exciting things as well including Burton +Burton, Timeless Treasures Fabrics, Stony Creek and Raz Imports.


Do you have employees/help?
We have 4 full time employees working on art creation, licensing and administration.  We also find it’s very important to have solid go to people to help in areas outside our area of expertise, these include a copyright attorney, CPA, insurance, etc.

How do you market artists?
We use conventional tools like an online image library, eblasts, email submissions, etc.  Exhibiting at Surtex is one of our best tools for finding new clients and fostering existing relationships.  We attend the Atlanta gift show to see product in showrooms and meet with manufacturers.  We also invest in social media marketing for both consumer awareness and as a communication tool with manufacturers.  Facebook has been our primary tool, but we’re working on expanding our presence on Pinterest and Instagram as well.  I can’t overstate the importance of social media, it’s here to stay and is a tremendous tool for artists.

What do you look for in an Artist?
Whether we are hiring for freelance work or partnering with a licensed artist, the first thing we need to see is a portfolio that shows a basic understanding of the industry.  In our industry, the manufacturer’s purpose for licensing art is to create something they couldn’t do on their own that will help them sell more product and make more money.   With that in mind, a portfolio should include themes, colors and styles that will sell in stores.  It should be unique and beautiful.  Finally there needs to be enough art in the portfolio to tell a story about who the artist is and demonstrate an ability to create many themes and collections.

How much work do you expect an artists to create?
There is no magic number for how many pieces an artist should create in a year, it depends on the artist’s style, what products they’re creating for and a whole host of other factors.  What’s more important is for artists to be self-driven, set goals for how many collections they will create in a year and stick to a schedule.   Not unlike any other career, your monetary goals should be in step with your work output.  If you want to be successful, be prepared to put the time in.  In addition to creating, they should also make time for studying industry trends, gathering reference materials, visiting retail stores for research, doing signing events and keeping up on social media.

Any great news you would like to share?
We’re really excited for our new product launch with Burton +Burton, they have created a whole line of gift items featuring Dona’s artwork for Christmas this year.
 
How has the Art Licensing business changed over the years?

Everything is much faster now in the industry.  Products are in stores for shorter cycles, artwork rotates in catalogs faster and with the adoption of digital tablets and software, art is also created and modified faster.  This creates opportunity because the need for new designs is growing.  At the same time if you are an already established artist, you must work fast and be prolific to keep up with these cycles, otherwise you’ll find yourself losing marketshare.

Any advice or information you would like to share?
Strive to make each piece you create better than your last.  Pay attention to what is selling and try to do more of that.  Spend time at your easel, drawing table, tablet, whatever it may be, put in the work.



You can find Gelsinger Licensing Group
GelsingerLicensing.com
Dona Gelsinger facebook.com/donagelsinger

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Friday, February 12, 2016

Agent Spotlight - Jennifer Nelson Artists






How long have you been in business and how did you come to be an agent?
Just one year, we opened in January 2015. But before that I had been an agent, working for another company. Before that I was a graphic designer for many years. So either one year, or my whole career, depending how you look at it.

Do you have help/employees?
Yes, we have a data entry person, a writer and a bookkeeper... all are essential to the business. I may add an assistant soon because most days I’m as busy as can be.

Do you prefer royalty deals? Flat fee?
We are happy working any way the client wants to work! If it’s a royalty deal, I like to get an advance upfront for my artists. We also take commissions when a buyer is looking for something special.

How do you market artists? Who pays for this? Anything different for new artists?
JNA does lots of social media, cold calls, newsletters, trade shows. In today’s world you have to be everywhere. I share the costs of promotion with my artists. We’re all in this together.

What do you look for in an artist?
I look for three things….
1) Talent: A body of marketable work. It does not have to be loads of work, just enough to show me the right subject matter in a range of styles.

2) Professionalism: Will she be on time for deadlines? Can she handle constructive criticism? Is her social media up to date and does it reflect her as an artist?

3) Kindheartedness: I need to have loads of trust in the people I represent. I work hard for my artists and I want to work with kindhearted people who I know will be good to both me and to our clients.

Do you feel an artist needs an online presence?
Yes! It’s 100% essential.

How much art do you expect an artist to create in a year?
A good minimum is one new piece each week. Preferably three to four per week once an artist is in the zone.

Anything else to add?
Yes! I’m doing a workshop in March with a company called Modern Thrive. It’s called "How To Get An Agent (And Do I Need One)". You can get more information here: http://modernthrive.com/workshops/workshop-28/

 

You can find Jennifer:
Website: www.jennifer-nelson-artists.com
Email: jennifer@jennifer-nelson-artists.com
Social Media: https://www.instagram.com/jennifer_nelson_artists/

Really looking forward to hearing what you have to say in the comments below!

Do you want to be spotlighted? Send me an email: info@AnnGraphics.com
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Friday, January 1, 2016

Art Licensing Newsletter - Happy New Year!


Happy New Year Everyone! 

I am giving you a look at what my Art Licensing Newsletter looks like ;-) Click this link to see past issues too! http://eepurl.com/bLzjiX  I have been known on occasion to give away stuff - newsletter subscribers are the first to know!

If you want to guest post or be featured on my blog, send an email to info@anngraphics and let's chat :-)

Wishing each and every one of you the VERY BEST 2016!


Friday, November 6, 2015

Artist Spotlight - Jill Meyer

Hello Annie, and thank you for including me in your Artist Spotlight.  I am honored and delighted to be included among the talented people who have come before me, and those who will come after. 

Tell us a bit about yourself: Did you go to school for art? Are you self taught?
As soon as I could hold a crayon, I began making art.  I remember sitting on the floor in Kindergarten and coloring in blissful contentment.  I wanted the coloring to go on forever.  I have always thought that the real basis for my making art is that I never seemed to be able to get enough drawing, coloring, cutting and pasting in Kindergarten! Several more years of cutting and pasting, and I earned five teaching credentials, a degree in art from the University of California, Los Angeles, and a Masters Degree in Education from the University of Southern California.

I later spent a number of years studying calligraphy.  My love for letters eventually led to many years of teaching calligraphy to adult students from beginning through advanced levels.  In an effort to put more color and art into my own lettering, I used watercolor painting, trompe l’oeil painting, paper sculpture, computer graphics, and many offshoots of these disciplines.  Rubberstamping was very new at the time, and it caught my interest. Then I did some more drawing, coloring, cutting and pasting and this time it led me to designing a line of about 300 card size rubber stamps that were produced and marketed in chain stores and stamp stores for many years.  None of these or my other art adventures would have been possible without the unwavering encouragement and support of my husband, Dave.  He truly is, and always has been, the wind beneath my wings.

Do you work in just one medium? Several?
I actually work in every medium that traffic will allow.  I bring it all together and try to make everything live happily in Photoshop.  I draw on any technique that I think will help move my work forward.  No holds barred.  If it works it stays, if not I often save it for use somewhere else.  A nice thing about art is that it has an indefinite shelf life, and can always be used in so many different ways.

What inspires you / where do you get inspiration from?

Going to a museum is always a way to drink in inspiration. But actually, almost anything can inspire me.  I can take a walk and notice something in nature, and get an idea for a piece of art.  I can look in store windows and see colors that I would like to try in combination.  I can be talking to someone about something unrelated, and for some reason an art idea will pop into my head. I usually dream my very best ideas!  When I am not thinking about art at all, I very often have a dream, which sends me down a new creative path.  I dream in vivid color.  Do you?

What are you working on now?
I have just finished a request to make 45 seamless, repeating patterns from designs I had previously made that did not repeat seamlessly.  It was a huge task, but an exhilarating learning experience for me.  I was never really intensely interested in doing seamless patterns before this challenge, but I found it fascinating, and fun, and I am eager to do more now.

I have lately also licensed and formatted 31 greeting cards, and sent them off for manufacture and sale, and I have recently finished a coloring book, with a little twist.  I realize that I am at the end of a long line of coloring book artists. However, sometimes, it’s fun to jump into the trend and see what happens.  So far, all three of these projects are getting enthusiastic support.

Anything else you would like to share with us?   What you are grateful for?
I am grateful for all of the diverse experiences that I have had doing art professionally, and there have been many.

My varied involvement with art, I think, was my best teacher.  One adventure would lead to the next, and what I had learned from the first enabled me to build for what followed.  All experience is a dear teacher, and nothing, even a negative experience, is wasted.  We learn and grow from everything we do, and we are a summation of it all.  I am grateful for all of the opportunities, which I have had, and I eagerly anticipate what is waiting for me right around the corner. I am just going to let the art lead me where it will.  It always seems to find a new, exciting, challenging and interesting direction. I’m sure I am in for more learning and growing.  I can hardly wait!

Are you working with an agent, doing it on your own?

I have two agents, and this is the norm for me rather than the exception.  When I started out in the Gift/Stationery market, I was with an agent who licensed only wall art.  I wanted to license more broadly, in as many categories as possible, so with this agent’s blessing, I acquired another agent for all categories but wall art.  I have since changed agents, but somehow I always have two.  It seems that one agent always wanted to concentrate on wall art, and I needed to have someone else rep me for product.  Recently, my wall art agent started to take on more interest in licensing product, so she became my solo agent…momentarily!  An agent in Israel wished to rep me, and since there is no conflict in territory, my U.S. agent blessed that business deal.  So, once again, I have two agents. Seems somehow to be in my stars!  I have been privileged in the last several years to work with some of the nicest, hardest working, most ethical, and trustworthy people, as my agents.  Together we are growing our business every year. I am grateful for my warm, congenial relationships with them, and I know exactly how fortunate and favored I am to partner with them.

Are you an early riser? or night owl?
I am both!  If I have a tight deadline, I can be up much of the night so that I can be sure everything is perfect before I send it to the manufacturer.  If I have not been up at night working, then I am usually up bright and early to see if there are any requests that require my attention.  Since I do business in different times zones from my own, I need to have as much lead time as possible in the morning to fulfill requests if necessary!

What is your favorite food?
Only one?  In the interest of good nutrition, I usually (often, mostly, sometimes) try to stick to healthy foods, however,…..

A girl has got to live a little!  So, when I (infrequently?) really want to go off the wagon, I will have a nice big yummy burrito and/or crispy taco with salsa, guacamole, and chips from Tito’s, my favorite place in Southern California for such treats.  The other splurge, although much less frequent, would be a huge ice cream/gelato waffle cone.  I’ll do as many as three scoops if I think no one is watching!  :-)


You can find Jill:

e-mail:  tootseepop@me.com
web site: www.jillmeyer.com
twitter:  https://twitter.com/tootseepopjill
Blog Post ALSC: http://artlicensingshow.com/jill-meyer/
ALSC Profile: http://artlicensingshow.com/members/jillmeyer/profile/

I REALLY appreciate all of you that help spread the word about my blog <3
Do you want to be spotlighted? Send me an email: info@AnnGraphics.com
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Friday, October 9, 2015

Agent Spotlight - Carol White, Artworks! Licensing

I am friends with several of Artworks! Licensing artists and very much admire the talent this agency has. So, you can imagine how thrilled I am that Carol is sharing her perspective on art licensing. --Click images to view larger.



How long have you been in business and how did you come to be an agent?
I have been in the Art Directing/Art Licensing field for over 25 years. Initially I worked for a direct-mail greeting card company and expanded their stable of freelance artists so that resources of new art came from a variety of sources including art publishers and national greeting card companies. It was during this period of over ten years that I came across so many talented artists across the country, most of whom didn’t have a clue about marketing and promoting their art, that I decided to set off on my own and establish a licensing agency that would help new artists become established. The licensing industry was just taking off and more companies were becoming open to the idea of licensing art for their product lines. I consulted for a national art publisher for a few years, helping to build their licensing department and then eventually decided to give a 100% of my efforts to start Artworks! Licensing. 

Do you have help/employees?
Most of the relationships that are established with customers come through my connections in the industry.  One very important element in any successful business is the solid relationships that are formed with not only customers, but also artists. I have the pleasure of working with artists who are able to format their own designs avoiding the need for a staff designer.

Who are the manufacturers you work a lot with? 
Our customers consist of a wide variety of manufacturers in both the home décor and gift markets such as Carson, burton&BURTON, Creative Converting, The Manual Woodworkers & Weavers, Conimar Corporation, C.R. Gibson, E.K. Success, Ravensburger Puzzles, KayDee Designs, etc.

How do you market artists? Who pays for this? (Anything  different for new artists?)
We market artists through social media, websites, emailing, trade magazines, attending gift markets, and by exhibiting at licensing shows such as the New York SURTEX.  We take full responsibility of covering all costs for the advertising regardless of the medium.

What do you look for in an artist?
It’s important that artists have a sense of who they are as an “artist” or “designer” and create a portfolio consistent with collections in various themes.  We look for artists that have on-trend designs and who are familiar with some form of digital application such as Photoshop. In most licensing venues, manufacturers seek to license art that has been created in layered files so that the image can be applied to a variety of product types.  We are always open to looking at an artist’s portfolio; however, we make it a point not to have significant overlap in our artists portfolios.  It’s important that each artist feel they are unique, rather than competing, within the agency.

Do you feel an artist needs an online presence?
Yes, particularly now more than ever.  With access to the Internet and Social Media, it is important for an artist to have a strong presence online which could be a website, blog, Twitter, Facebook, etc. All of these mediums help support the promotional and advertising efforts that the agent provides for the artist.

How much art do you expect and artist to create in a year?
We select artists who have an existing group of images in their portfolio asking that the they continue to submit their new work as they complete it. Rather than expect an artist to create a certain number of designs in a year, we encourage the artists to add designs that may create a more well-rounded portfolio to appeal to more customers. For example, if an artist is very prolific but focuses more on Spring and Garden designs, we would suggest that they add Fall and Holiday designs to their portfolio. This creates a broader balance for customers because many times if a customer likes a particular artist’s style or that style sells well for them, they will want to consider a variety of seasonal designs for their product lines rather than limiting to one.

Any advice or other information you would like to share? 
One bit of advice I would give any artist attempting to get into the licensing industry, is “don’t be afraid to be you”. Researching the market for trends and styles is a great means of staying current; however, it’s important to stay true to your own unique style rather than try to emulate other artists.  Manufacturers look for art/artists that offer a fresh approach to a classic or ongoing themes.  Competition is tough in today’s licensing world.  More and more artists are entering the business, yet manufacturers are limiting the amount of licensing and outsourcing of art they acquire on a yearly basis. So, do your research, stay on trend, and look for agencies that may benefit from your unique style rather than agencies that already represent several artists like you.

You can find Carol:
Website: www.artworkslicensing.com
Email: carol@artworkslicensing.com
Phone:  (561) 253-8100

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Friday, August 29, 2014

First Steps into Art Licensing



This is another suggested topic from the last giveaway, Thanks!

I don't know where the beginning is. Really, being a graphic designer is so helpful!! That could be considered the beginning 26+ years ago.

I think maybe the person who asked is looking for the order I did things in. This isn't a straight line, just a synopsis of how it went for me. I would bet all of you have a different path :-)

So, my kids got older and I started drawing again. I started taking my paper pad and color pencils in the car (red VW Bug back then) with me when I went to get into line to pick up kids from school. About 10 years ago. MUCH more convenient than watercolors in the car. Oh what fun and how I had missed that.

Then I had several images, monsters, halloween, snowmen - what ever the mood and season and what to do with this art? I went looking online and found CafePress and Zazzle. I built a CafePress store and at my best point, was donating $300/year to my local food bank. Fun :-) I think this was around 5 years ago. I joined Twitter around the same time to help promote the store.

One day while shopping I actually "heard myself". I would pick up items in the store with art on them and say "I can do that". Many times I would say "I can do better than that!" I have been saying this for god knows how long, but not listening. My now adult kids remind me that I am still saying it...

(2-3 years ago?) Fired up Google and found lots of great information on sites and blogs. See my Useful Stuff page for links I found helpful. Thanks so much for all the amazing people in the Art Licensing biz! I started mocking up my art on products and creating collections. I worked on my portfolio first. I think I had 30 collections, it depends on how you "count" my early collections were just one image :-) Now a collection could be 6 palette knife paintings.... 30 Halloween icons, or some where in between.

Next came my website to show off my portfolio on and let folks know I am darn serious about this Art Licensing thing :-) About the same time I bought Tara Reed's book "How to Find an Art Licensing Agent" which I talk about in my How I Found an Agent blog post. (Note: since I have purchased some of Tara's products and they helped me, I am now showing affiliate links on this blog as both helpful info AND a little income to support my time spent blogging).Now we are to the point where if you want more steps See the blog post How I Found an Agent.

It gives a bit of the background I have just mentioned and more detail about finding an agent.

If you haven't read it already, you also might like knowing Why I Want an Agent. An agent isn't for everyone :-)

Thanks Doodlebugerz! Heads up: I will be announcing a no-strings attached Art Licensing giveaway on Tues. Sept. 2nd. Be the first to hear about it by signing up for my newsletter. Next issue comes out ASAP. (I will collect emails only for the purpose of notifying the winner).




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